En los últimos veinte años, la santería, práctica espiritual cubana de origen yoruba, y su música, han experimentado un auge significativo en México.
Over the last twenty years, the Cuban Yoruba-derived spiritual practice of Santería and its music have exploded in Mexico.
Why would a woman dedicate herself to learning a cultural practice that is not her own? Especially when she is largely forbidden from participating in it?