The wafer resembles communion bread in my childhood Catholic church, and it tastes like construction paper.
Today, artist Beau McCall—dubbed “The Button Man”—has works, including durags and jackets in museum collections around the world.
Jackson’s company, Chopped & Served, carves out space for Blewish culinary traditions and identity in an otherwise mostly white Jewish community.
Witchcraft and Paganism existed in Slavic regions long before Christianity found a home.
In the Appalachian Mountains, folk magic goes by many names: root work, granny magic, kitchen witchery, Braucherei, witchcraft.
Johnson unpacks her spiritual lineage through works that reclaim ancestral memory, hold space for reverence, and create a uniquely Black iconography.
When Mariam Youssef was told she couldn’t sing, it was in essence a mechanism of holding her cultural identity hostage.
Worn by lay people since the early Middle Ages, devotional scapulars carry symbols or verses that once connected the wearer to a particular monastic community.
Between July 20 and 22, 2021, AACI hosted the Craft Institution Consortium, where organizations discussed future collaborations with African American Makers.
Between July 20 and 22, 2021, the Center’s African American Craft Initiative will host the Craft Institution Consortium, gathering national craft organizations, museums, galleries, and funding organizations.