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With their strong decorative arts traditions, Aluku and Ndjuka Maroons place a high value on visual innovation, creativity, and individual artistry.
Ndjuka houses, Diitabiki, Suriname, 1991. Courtesy of Thomas Polimé and Diana Baird NDiaye
Saramaka woman braiding the hair of her friend in a goón uwii (cornrow)
hairstyle, which resembles the pattern of a cultivated field, Asindóópo, Suriname, 1991.
Made as gifts for women, Saramaka combs demonstrate mens carving virtuosity. Right : Carved comb made of pali-udu (paddle wood) by a Saramaka carver, Paramaribo, Suriname, 1997. Left : Carved comb made of alata-udu (rat wood) by a Ndjuka man living in French Guiana, 1997. Courtesy of Thomas Polimé
Using household implements as interior decoration is an artistic tradition shared by Maroons throughout Suriname and the Guianas. Ndjuka Maroon kitchen, Moitaki, Suriname, 1995.
Seminole Maroon quilts reflect African American and Native American aesthetics. Quilt artist Alice Fae Lozano is one of the few Seminole Maroon women who continue African American needle arts traditions. Quilt square made by Alice Fae Lozano, 1998.
Alice Fae Lozano with quilt, Kerville, Texas, 1998.
West and Central African ideas about art and beauty give contemporary Maroon cultures a strong African quality without duplicating any specific African society. Ndjuka Maroon man wearing traditional dress at the Smithsonian Festival of American
Folklife, Washington, D.C., 1992. |